Chapter 200
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COPYRIGHTABLE MATTER - IN GENERAL
Outline of Topics
201 Copyrightable matter: in general.
202 Original works of authorship.
202.01 Originality.
202.02 Authorship.
203 Fixation.
204 Compilations and derivative works.
204.01 Compilations defined.
204.02 Derivative works defined.
204.03 Standards for copyrightability of compilations
and derivative works.
204.04 Status of compilations and derivative works
unlawfully employing preexisting copyrighted
material.
204.05 Musical arrangements made under the compulsory
license for phonorecords.
204.06 Ephemeral recordings.
205 National origin.
206 Government works.
206.01 Edicts of government.
206.02 U.S. Government works.
206.03 Copyrightable government works.
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[1984]
CHAPTER 200
COPYRIGHTABLE MATTER -IN GENERAL
201 Copyrightable matter: in general. The clause of
the U.S. Constitution cited in section 102 of Chap-
ter 100: BASIC POLICIES, as the basis for the copy-
right law empowers Congress to secure to authors
the exclusive right in their writings. Based on
this provision, the current copyright law, which
took full effect on January I, 1978, provides that
copyright protection subsists in original works of
authorship fixed in any tangible medium of expression
now known or later developed, from which they can
be perceived, reproduced, or otherwise communicated,
either directly or with the aid of a machine or
device; and the law specifies that works of author-
ship include the following categories: (I) literary
works; (2) musical works, including any accompanying
words; (3) dramatic works, including any accompanying
music; (4) pantomimes and choreographic works; (5)
pictorial, graphic, and sculptural works; (6) motion
pictures and other audiovisual works; and (7) sound
recordings. See 17 U.S.C. 102(a).
202 Original works of authorship. In order for a
work to be the subject matter of copyright under
the current law, it must be an original work of
authorship. Quality, aesthetic merit, ingenuity,
and uniqueness are not considered in determining
the copyrightability of a work.
202.01 Originality. A work must owe its origin to
the author in order for it to be original in
the copyright sense. The work must neither be
one in the public domain nor be copied from any
other work. The work need not be "novel," that
is, new to the world; to be original it need
only be new to the author, that is, not taken
from any other source.
202.02 Authorship. In order to be an original work
of "authorship," the work must contain at least
a certain minimum amount of original creative
expression.
200-1
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200-2
202 Original works of authorship. (cont'd)
202.02 Authorship. (cont'd)
202.02(a) De minimis. Works that lack even a certain
minimum amount of original authorship are not
copyrightable. Such works are often described
as "de minimis," in reference to the principle
embodied in the Latin maxim "de minimis non
curat lex."
202.02(b) Human author. The term "authorship" implies
that, for a work to be copyrightable, it must
owe its origin to a human being. Materials
produced solely by nature, by plants, or by
animals are not copyrightable.
202.02(c) Ideas. The copyright law specifies that
copyright protection does not extend to any
idea, procedure, process, system, method of
operation, concept, principle, or discovery,
regardless of the form in which it is de-
scribed, explained, illustrated, or embodied
in a work. See 17 U.S.C. 102(b).
202.02(d) Facts and events. A fact or event, as
distinguished from the manner in which it
is described in a particular work, is not
copyrightable.
202.02(e) Computations and the like. To be an
original work of authorship, the work must
not be a mere computation based upon a
concept or formula, or be the mere extrapo-
lation or application of an idea or system,
which would always produce substantially
the same result whenever done correctly by
anyone. For example, the computation of
interest based upon a particular rate is
not copyrightable, nor is the mere trans-
position of music from one key to another.
In connection with transposition, see
Chapter 400: COPYRIGHTABLE MATTER -WORKS
OF THE PERFORMING ARTS AND SOUND RECORDINGS.
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200-3
202 Original works of authorship. (cont'd)
202.02 Authorship. (cont'd)
202.02(f) Useful articles. No copyright can subsist
in a "useful article" as defined by the copy-
right law. However, elements incorporated
or embodied in a useful article that can be
identified separately from, and are capable
of existing independently of, the useful
article may be copyrightable. See Chapter
500: COPYRIGHTABLE MATTER -PICTORIAL,
GRAPHIC, AND SCULPTURAL WORKS.
202.02(g) Blank forms. Blank forms, such as time
cards, graph paper, account books, bank
checks, scorecards, address books, report
forms, order forms, and the like, which are
designed for recording information and do
not in themselves convey information or
contain other copyrightable matter are not
copyrightable. See 37 C.F.R. 202.1(c).
202.02(h) Information that is common property. Works
consisting entirely of information that is
common property containing no original author-
ship, such as, for example, standard calendars,
height and weight charts, tape measures and
rulers, schedules of sporting events, and
lists or tables taken from public documents
or other common sources are not copyright-
able. See 37 C.F.R. 202.1(d).
202.02(i) Words and short phrases. Words and short
phrases such as names, titles, and slogans
are not copyrightable. See 37 C.F.R.
202.01(a).
202.02(j) Familiar symbols, typeface, and design of
printed material. Familiar symbols or
designs, and mere variations of typographic
ornamentation, lettering, or coloring, are
[1984]
200-4
202 Original works of authorship. (cont'd)
202.02 Authorship. (cont'd)
202.02(j) Familiar symbols, t .n
of printed material. (cont’d)
not copyrightable. See 37 C.F.R. 202.1(a).
Typeface is not copyrightable, nor is the
design, format, or layout of books and
other printed material. See Chapter 300:
COPYRIGHTABLE MATTER -NONDRAMATIC LITERARY
WORKS.
202.02(k) Listings. The mere listing of ingredients
or contents is not copyrightable. See 37
C.F.R. 202.1(a).
202.02(1) Characters. The copyright law does not
provide for the copyright registration of
characters as such. However, original works
of authorship describing, depicting, or
.embodying a character are registrable if
otherwise in order.
202.02(m) Use of protected characters, names, and
slogans. Occasionally, works incorpo-
rate names, titles, or slogans whose
utilization is subject to restrictions
by other laws. As these restrictions
have nothing to do with copyright, the
incorporation of these elements does not
prevent registration. Where the Copy-
right Office is aware that a use of
certain elements within a work may be in
violation of existing law, it may inform
the applicant of the possible restric-
tion and direct the applicant to the
agency involved. Some examples of re-
stricted names and characters are:
"Olympic," "Olympiad," (36 U.S.C. 380):
"Woodsy Owl" (18 U.S.C. 711a): and
"Smokey Bear" (18 U.S.C. 711).
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200-5
202 Original works of authorship. (cont'd)
202.03 Works in the public domain. Works in the
public domain in the United States cannot
be the subject of U.S. copyright protection.
Since such works may be copied and used by
anyone insofar as the U.S. copyright law
is concerned, they may be freely combined
with new matter or otherwise incorporated
or embodied in compilations or in abridg-
ments, adaptations, arrangements, drama-
tizations, translations, or other derivative
forms. If the new matter contains sufficient
original authorship to support a copyright,
registration may be based on such new matter.
However, in any such case, copyright extends
only to the new material and does not imply
any exclusive right in the public domain
material. Works in the public domain
include those whose once valid U.S. copyright
has expired and works otherwise dedicated to
the public either voluntarily or by operation
of law. Also considered part of the public
domain are edicts of government, which are
uncopyrightable for reasons of public policy:
see section 206.01 below. In addition, works
of the U.S. Government, that is, works prepared
by officers or employees of the U.S. Govern-
ment as part of such personal official duties
are not copyrightable: see section 206.02
below.
203 Fixation. In order to be subject to copyright
registration, a work must be fixed in a tangible
medium of expression by or under the authority of
the author. A work consisting of sounds, images,
or both, that are being transmitted, is "fixed" if
a fixation of the work is being made simultaneously
with its transmission. See 17 U.S.C. 101 and 102.
Special problems with respect to the fixation of
sound recordings are treated in Chapter 400: copy-
RIGHTABLE MATTER -WORKS OF THE PERFORMING ARTS
AND SOUND RECORDINGS.
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200-6
204 Compilations and derivative works. The copyright
law specifies that the subject matter of copyright
includes compilations and derivative works but that
copyright for a work employing preexisting material
in which copyright subsists does not extend to any
part of the work in which such material has been
used unlawfully. See 17 U.S.C. 103(a). The law
also specifies (I) that copyright in a compilation
or derivative work extends only to the material
contributed by the author of such work and does not
imply any exclusive right in the preexisting
material and (2) that the copyright in such work is
independent of, and does not affect or enlarge the
scope, duration, or subsistence of, any copyright
in the preexisting material. See 17 U.S.C. 103(b).
204.01 Compilations defined. The copyright law
defines a "compilation" as a work formed by
the collection and assembling of preexisting
materials or of data that are selected,
coordinated, or arranged in such a way that
the resulting work as a whole constitutes an
original work of authorship. The law also
..states that the term "compilation" includes
"collective works," which are works, such as
a periodical issue, anthology, or encyclopedia,
in which a number of contributions, constituting
separate and independent works in themselves,
are assembled into a collective whole. Hence,
in effect, compilations are either (I) col-
lective works, or (2) other compilations, the
latter being works consisting of the collection
and assembling of preexisting materials or data
other than separate and independent works. See
17 U.S.C. 101.
204.02 Derivative works defined. The copyright law
defines a "derivative work" as a work based
upon one or more preexisting works, such as a
translation, musical arrangement, dramatization,
fictionalization, motion picture version, sound
recording, art reproduction, abridgment, con-
densation, or other form in which a work may
be recast, transformed, or adapted. The law
also states that a work consisting of editorial
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200-7
204 Compilations and derivative works. (cont'd)
204.02 Derivative works defined. (cont'd)
revisions, annotations, elaborations, or other
modifications which, as a whole, represent an
original work of authorship, is a derivative
work. See 17 U.S.C. 101.
204.03 Standards for copyrightability of compilations
and derivative works. The standards for the
copyrightability of compilations and derivative
works include the following requirements: (I)
they must be original works of authorship, and
(2) they must comply with the other provisions
of the law.
204.04 Status of compilations and derivative works
unlawfully employing preexisting copyrighted
material. Copyright protection for a work
employing preexisting material in which copy-
right subsists does not extend to any part of
the work in which such material has been used
unlawfully. See 17 U.S.C. 103(a).
- This means that where a work is based on a
preexisting work, without authorization of
the copyright owner and unlawfully, the new
material may be subject to copyright pro-
tection only to the extent that it can be
separated from the preexisting work.
- Where the new matter (such as certain
editorial revisions, translations, and
musical arrangements) is inextricably
integrated with the preexisting work,
without authorization of the copyright
owner, registration for the new matter
cannot be made.
- However, where the new matter (such as new
lyrics set to an existing melody) is capable
of existing separately, registration may be
possible, even though the use may be an
infringement of the copyright in the pre-
existing work.
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200-8
204 Compilations and derivative works. (cont'd)
204.05 Musical arrangements made under the compul-
sory license for phonorecords. Where phono-
records of nondramatic musical works are made
under the compulsory license provisions of 17
U.S.C. 115, a new arrangement of the musical
work may be made without the consent of the
copyright owner of the preexisting work.
However, such arrangement is not subject to
copyright protection as a derivative work
without the express consent of the copyright
owner of the preexisting work. See Chapter
400: COPYRIGHTABLE MATTER -WORKS OF THE
PERFORMING ARTS AND SOUND RECORDINGS.
204.06 Ephemeral recordings. The copyright law pro-
vides that ephemeral recordings may lawfully be
made of certain copyrighted works without the
authority of the owners of copyright. However,
transmission programs embodying such works are
not subject to copyright protection as deri-
vative works without the express consent of
..the owners of copyright in the preexisting
works. See 17 U.S.C. 112.
205 National origin. The copyright law provides that
all unpublished works otherwise subject to copy-
right protection are registrable without regard to
the nationality or domicile of the author. How-
ever, the law provides that published works are
subject to copyright protection and eligible for
registration only under certain specified con-
ditions relating to their national origin. See
Chapter 1100: ELIGIBILITY.
206 Government works. Certain government works are
subject to special rules.
206.01 Edicts of government. Edicts of government,
such as judicial opinions, administrative
rulings, legislative enactments, public
ordinances, and similar official legal docu-
ments are not copyrightable for reasons of
public policy. This applies to such works
whether they are Federal, State, or local as
well as to those of foreign governments.
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200-9
206 Government works.
206.02 U.S. Government works. The copyright law
provides that works of the u.s. Government,
defined in the law as works prepared by an
officer or employee of the u.s. Government
as part of that person's official duties,
are not copyrightable. This provision
applies to such works whether they are edicts
of government or otherwise. However, the fact
that a copyright may have been transferred to
the U.S. Government is not determinative of its
status. U.S.C. 101 and 105. Similarly, the
fact that the work has been printed by the U.S.
Government does not determine its copyright
status.
206.02(a) Standard Reference Data Act. Under the
Standard Reference Data Act, 15 U.S.C.
290e, the Secretary of Commerce may secure
copyright on behalf of the United States
as author or proprietor of any standard
reference data that the Secretary prepares
or makes available under the Act.
206.02(b) U.S. Postal Service. Works of the U.S.
Postal Service, as now constituted, are not
considered U.S. Government works.
206.02(c) District of Columbia. Works of the govern-
ment of the District of Columbia, as now
constituted, are not considered U.S. Govern-
ment works.
206.02(d) Commonwealth of Puerto Rico. Works of the
government of Puerto Rico are not considered
to be U.S. Government works.
206.02(e) Territorial areas under the jurisdiction of
the U.S. Government. Works of the govern-
ments of the "organized territories" under
the jurisdiction of the U.S. Government are
acceptable for registration under the rule
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200-10
206 Government works. (cont'd)
206.02 U.S. Government works. (cont'd)
206.02(e) Territorial areas under the jurisdiction of
the u.s. Government. (cont'd)
of doubt. Works of the governments of other
territorial areas under the jurisdiction of
the u.s. Government are considered to be
u.s. Government works. See Chapter 1100:
ELIGIBILITY.
206.03 Copyrightable government works. Works (other
than edicts of government prepared by officers
or employees of any government (except the U.S.
Government) including State, local, or foreign
governments, are subject to registration if
they are otherwise copyrightable. In addi-
tion, the copyright law specifies that works
first published by the United Nations or any
of its specialized agencies, or by the Organi-
zation of American States, are subject to copy-
right protection. See 17 U.S.C. 104(b)(3): see
also Chapter 1100: ELIGIBILITY.
[END OF CHAPTER 200]
[1984]